Andrew Farrell (
braisedbywolves) wrote2015-06-06 02:42 pm
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Things Various
I only thought to check during the week (I thought it was later in the month), but Thursday gone is five years since I got the keys for 22 Heysham Road - I still have on my phone the photo of them that I send to George. I have plans for it over the next while, though so far it's just been furniture moving - the bureau over here, that bookshelf out into the dining room, swap the couch and the desk. But it's edging on for halfway into the year, and I should probably get on with that.
My cycle home leads me down the West Bank, a side of a non-descript railway that was presumably named that before Stamford Hill became a centre for Hasidic Judaism. There's two removal vehicles (the type you would use to take away cars) usually parked on that street, and even odder two cars permanently up on the stirrups that protrude from the back of the vehicles. My only explanation is that perhaps, in order to encourage correct handling of these unwieldy monsters, the drivers are encouraged to drive their own cars home like this.
I was watching a trailer recently - I do this a lot, I seek out at least 10 trailers of films I never end up seeing for every one I do - where Jason Segel, of variously varieties of 'lovable' man-child (and also the Muppet Movie) plays a genius writer who is being joined by Jesse Eisenberg, as a nervous journalist and aspiring writer who's travelling with him on his book tour to write an article about travelling with him on his book tour. It seems pretty terrible, Segel at one point says "I think if the book is about anything, it is about the question of 'Why?' - Why am I doing it and what's so American about what I'm doing?" - and it completely doesn't earn the spark that it get when REM's Strange Currencies screams and shimmies in about halfway through. But it did remind me to go listen to the song a half-dozen times, so thanks, I guess..
Except on rewatching the trailer, I realised that I'd missed that this was based on a true story, and Segel's character is actually David Foster Wallace, touring Infinite Jest. I don't honestly know how I feel about this - I've never read a word of his work as far as I know, but I've had a lot of people tell me that I'd like it. Here's the trailer, and any thoughts or recommendations on DFW are welcome. I assume that unlike Pynchon, the test is just to dive into his most famous work, Infinite Jest.
My cycle home leads me down the West Bank, a side of a non-descript railway that was presumably named that before Stamford Hill became a centre for Hasidic Judaism. There's two removal vehicles (the type you would use to take away cars) usually parked on that street, and even odder two cars permanently up on the stirrups that protrude from the back of the vehicles. My only explanation is that perhaps, in order to encourage correct handling of these unwieldy monsters, the drivers are encouraged to drive their own cars home like this.
I was watching a trailer recently - I do this a lot, I seek out at least 10 trailers of films I never end up seeing for every one I do - where Jason Segel, of variously varieties of 'lovable' man-child (and also the Muppet Movie) plays a genius writer who is being joined by Jesse Eisenberg, as a nervous journalist and aspiring writer who's travelling with him on his book tour to write an article about travelling with him on his book tour. It seems pretty terrible, Segel at one point says "I think if the book is about anything, it is about the question of 'Why?' - Why am I doing it and what's so American about what I'm doing?" - and it completely doesn't earn the spark that it get when REM's Strange Currencies screams and shimmies in about halfway through. But it did remind me to go listen to the song a half-dozen times, so thanks, I guess..
Except on rewatching the trailer, I realised that I'd missed that this was based on a true story, and Segel's character is actually David Foster Wallace, touring Infinite Jest. I don't honestly know how I feel about this - I've never read a word of his work as far as I know, but I've had a lot of people tell me that I'd like it. Here's the trailer, and any thoughts or recommendations on DFW are welcome. I assume that unlike Pynchon, the test is just to dive into his most famous work, Infinite Jest.